I'm massively happy to be supporting them, along with Alex Fox (lad can sing), and it's going to be a cracking night. But it's also very sad to see the end of a era.
Firstly, if you've not heard anything by them, you can hear all 3 of their albums on their Soundcloud profile. But I've embedded some players so you can stay here and carry on reading.
I've played with all 4 of the boys at some point - Paul and Rich in my first band, the amazingly named Liquid Idolator (1999-2002) and Matt and Jon in that band and F451 (2003-2007).
The Library Suits started in the end of F451. We crashed and burned at the end of 2007, feeling burnt out and like we'd failed, despite having achieved a lot.
But another factor was a simple sense of "no", and "can't". The dynamic was very much me telling Matt and Jon what we were going to do; they'd stopped asking if we could do X or play Y, because I'd just say no. Even I could tell they were frustrated, but I was such a dick and so lost, I didn't know how to get out.
Because It's Somewhere To Be" in a matter of months - and I still remember being blown away at that gig at the Two Brewers in Chelmsford, October 2008.
Since then they recorded 2 more full albums, a Christmas single, several quality videos including the hilarious "You Don't Have To Be A Wizard", played endless gigs, and even appeared on TV (the Hollyoaks Music Show, playing "Jeremy Kyle's Inner Valkyrie").
Sadly I've only seen the full band play a couple of times. After that first gig, I left for New Zealand; by the time I got back for the summer of 2013, The Library Suits had wound down and weren't playing so often. But I remember sitting up with breakfast at home in bed in Wellington, NZ, to watch the album launch for "suffer:recover" on Barhouse venue's live video stream. (Interestingly enough, they were supported that night by Mark Burnside AKA The Lemoncurd Kid; Jon now drums in The Lemoncurd Kids full band, whose album is coming out very soon - check out preview track "Pieces".)
The epic album "Destroy:Discover" is my favourite album by an unsigned band. It's one of my favourite albums full stop. Yes, I'm biased, but I dare you to listen to it and find a fault. As a British indie-rock album, it is loud, melodic and unapologetic, intelligent and playful, furious and wistful, and genuinely, honestly uplifting. The quality of the songwriting and the songs themselves is better than a lot of albums by the big, signed, famous bands they've been influenced by.
Unofficial band members include Neak Menter, an old comrade from the Essex music scene and the producer who brought The Library Suits' recordings to life, and our photographer friend Matt Pawsey who's always been there for the band (even playing Harry Potter in the Wizard video), and who's just always been there for all of us as a friend.
Most bands have a life span. Like any relationship, if you can make something good, and get out alive and still be friends, that's a success in itself. The band has wound down, Matt has now moved up north, and to be honest, 8 years is a good innings.
So there's no grand drama about The Library Suits calling it a day, no gutting sense of loss. What there is, what I feel, is the sadness that a group who have produced excellent work, won't produce excellent work any more. They'll go on to join other groups and make other amazing work (did I mention The Lemoncurd Kids?), but it won't be them.
Even with all the other local bands we've seen and met through 16 years of playing music, it's hard to think who else could write and produce loud, catchy, pop-rock anthems about maths and mathematicians like "Cantor's Infinity" and "Everything For Sale", or emotional pop hits littered with historical references like "Ten Years", or about Russian revolutionary art like "October In The Theatre", or even just the darkly epic "Every Night It's You And I".
Who else will write songs like these?
The other reason I'm sad is for selfish reasons. The roots of The Library Suits were in the dark times of the end of F451; even bearing responsibility for the atmosphere in that band, I was tired and frustrated and burnt out too.
The Library Suits represented to me the optimism of a new project, of breaking out, of making something new and positive and bright and really really good, and just going for it and achieving it.
From that first mini-album, "Long Division" is about insecurity and emotions, yet it sounds bright and upbeat and uplifting. "Modern Life Is A Speeding Bullet" is still as fresh as the day it was made.
I've already made this too much about me. Obviously I can't give any perspective from inside the band. Jon, Paul, Rich or Matt could all write their own account, but it's not their style. I just wanted to write this to tell the internet, "here they were, and they were amazing".
If you can make it to Chelmsford this Saturday 26th March 2016 to watch an amazing band bow out in style, come to the Bassment and sing your heart out.
Optional fancy dress suggestions:
- Time vampire
- Jeremy Kyle
- Jeremy Kyle's inner valkyrie
- Any character from Hollyoaks circa 2009
- Russian artist (early 20th century)
- Noel Fielding/Julian Barratt/both
- Imelda Marcos
- Baseball cap & stilettos
- Hunter S Thompson
- Reginald Perrin/Jasper Carrott/Julian Barratt (again)
All photos by Matt Pawsey, I think.
Go see a lot more here
Go see a lot more here
"Ten years from now, will you remember me?"
Yes, and a lot longer.